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    • Border-Listening/Escucha-Liminal – Vol 1
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June 2022

June 3, 2022

Noise Vivarium: Spectral Radicalism

By D’ANDRADE Introduction A spectrogram is a visual representation of the frequency spectrum of a signal that varies with time. While there is much scientific material written ab

Border-Listening/Escucha-Liminal vol.2
Black Technopoeticsspectrogram
June 3, 2022

On Temperament and Tempering

  By REIKO YAMADA As a composer from Japan trained in the Western musical tradition, I sometimes have uneasy feelings about composing music in European styles. At the same time, I

Border-Listening/Escucha-Liminal vol.2
June 3, 2022

Listening for Alida Vázquez: A Life in Electronic Music between Migration, Race and Gender

By TERESA DÍAZ DE COSSIO This article examines the life and work of the composer, teacher, and pianist Alida Vázquez Ayala (1923-2015) and explores how Vázquez navigated race, g

Border-Listening/Escucha-Liminal vol.1
Gender
June 1, 2022

Indigenous and Anticapitalist Sounds: Musical Practices to Pollinate the Brazilian Caatinga

  By ALEXANDRE HERBETTA From the sound landscape of the Alagoas Caatinga, in northeastern Brazil, several types of sounds emerge. Some, such as the roaring of cattle, are a featur

Border-Listening/Escucha-Liminal vol.2
BrazilIndigenous
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