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    • Border-Listening/Escucha-Liminal – Vol 1
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Border-Listening/Escucha-Liminal vol.2

June 3, 2022

Noise Vivarium: Spectral Radicalism

By D’ANDRADE Introduction A spectrogram is a visual representation of the frequency spectrum of a signal that varies with time. While there is much scientific material written ab

Border-Listening/Escucha-Liminal vol.2
Black Technopoeticsspectrogram
June 3, 2022

On Temperament and Tempering

  By REIKO YAMADA As a composer from Japan trained in the Western musical tradition, I sometimes have uneasy feelings about composing music in European styles. At the same time, I

Border-Listening/Escucha-Liminal vol.2
June 1, 2022

Indigenous and Anticapitalist Sounds: Musical Practices to Pollinate the Brazilian Caatinga

  By ALEXANDRE HERBETTA From the sound landscape of the Alagoas Caatinga, in northeastern Brazil, several types of sounds emerge. Some, such as the roaring of cattle, are a featur

Border-Listening/Escucha-Liminal vol.2
BrazilIndigenous
May 29, 2022

Resounding Epistemologies of Conflict: Auralities in Colombia’s Historical Memory

By ANA RUIZ VALENCIA The situation here is intense; we’re surrounded by M-19 personnel. Please cease fire immediately! Let the public hear this, this is urgent—it’s life or d

Border-Listening/Escucha-Liminal vol.2
Colombia
May 29, 2022

An Amplified Echo, a Carbonated Resonance

By DANIELA AVELLAR Multispecies soundscape and affective echo Our tools of analysis block our ability to see our objects. —Anna Tsing, Viver nas ruínas: paisagens multiespéci

Border-Listening/Escucha-Liminal vol.2
fermentationrecipesympoiesis
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